![]() ![]() And then of course we do that orchestrated version of it at the end. The song was was simply a way for us, showing the audience-even if they’re not going to pick it up at first-that we’re headed down a road which, and I don’t mean this in a cynical way, that there’s going to be a lot of irony here and a lot of juxtaposition.Īnd it’s kind of bombastic in a party way, like the party of the movie.Įxactly, and that’s the way she lives her life, little Moonee. We were working obviously and focusing on an extreme juxtaposition between homeless children and a place that the world associates with children and being made for children. And when you think of the parks, there’s just a celebratory world that you’re entering. And I don’t know if you know that right next to Kissimmee is the town of Celebration. ![]() Well, first off it’s just such a classic song. There’s not many movies that start with “Celebration,” and yet it has a great effect on this movie. sat down with Baker to talk making his new film, the casting of Brooklynn Prince and Willem Dafoe, creating a fantasy land out of a location decimated by the recession and more.
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